With lush, Herrmann-esque strings and harp colliding with gnarly metallic percussion (some involving precariously placed saw blades)… Steven’s ‘Daddy’ is the kind of consistently wacked-out, grisly musical fun you just want to hug. – Daniel Schweiger FILM MUSIC MAGAZINE

Karl Steven’s score is perfectly attuned to the movie’s alternating tones of dread and jet-black amusement. – Michael Gingold RUE MORGUE

From composer Karl Steven’s mischievously eerie score to Katz’s playful compositions that maximize colors and sharp contrasts, ‘Come to Daddy’ has the look and makings of a high-end production.” – Tomris Laffly VARIETY

…what really helps compliment the film is Karl Steven’s thrilling score.  If you went into the film without reading a single thing, the opening musical notes tell you in an instant.  It’s one of those scores where you just know it’s the one for this film. – Danielle Solzman SOLZY AT THE MOVIES

Timpson’s debut is confident filmmaking at its finest, and pulls off everything that it attempts. Paired to a score that feels like a pulse and some tight camerawork, this can only mean great things for Timpson’s career. – Alex Papaioannou POP AXIOM